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34th Street Magazine

Quick Flicks

The average geophysics college professor can save the world -- or at least that's what Director Jon Amiel would have you believe with his latest flick, The Core. Dr. Joshua Keys (Aaron Echkart) is the only person who has realized that the Earth's core has stopped rotating.


34th Street Magazine

Like a Virgin

While in Los Angeles, Norman Korpi, the first openly gay cast member of The Real World, and writer/director/star of The Wedding Video, found time to talk to Street about his feature debut. When did you get the idea to make this movie? I've always wanted to make a movie, and I had a couple of screenplays before this dealing with some of my experience on cable access, but when we got down to looking at money and budget, and people going, "What have you done before?" They're not going to give you a million bucks.


34th Street Magazine

Spring Fling Preview

Slotted to open the Fling concert, OK Go will be the band playing in the background as overambitious freshman pass out on Franklin Field.


34th Street Magazine

867-5AFI

The Berkeley, California-based quartet AFI crashes back onto the hardcore/punk scene with their Dreamworks debut Sing the Sorrow. AFI, which stands for A Fire Inside, imbued a goth-influenced murkiness into their trademark maelstrom and put a new spin on their melodic version of hardcore.



34th Street Magazine

First Degree Burns

At the opening night of the Philadelphia Film Festival, James Foley, director of the headliner Confidence, talked to the audience for a few minutes.


34th Street Magazine

30 Second Take

Edwin McCain has not stagnated since his fifteen minutes of pop fame, rolling out twelve reflective songs with a country twang.


34th Street Magazine

Here, Kitty Kitty!

Just as Phantom Planet might forever be known as "that band with the guy from Rushmore in it," Boomkat could see the same fate.


34th Street Magazine

8 Mile Fling

This year's Fling is going to be a battle. Just like those battles in which Eminem competes in 8-Mile. It's going to be power pop meets hip hop, the Ghetto v.


34th Street Magazine

Woman on the Verge of a Nervous Breakdown?

Chan, you disappoint. Excited by the prospect of witnessing the spectacle that is the usual Cat Power show/emotional breakdown, in the end all we were treated to was the standard live version of your CD concert.


34th Street Magazine

Flip 'Em the Bird

One movie critic said it best when he wrote the following about Winged Migration: "Possibly the most astonishing documentary about bird migration ever made." I am certainly in agreement.


34th Street Magazine

Disc Ressurection

I have a confession to make. I have a horrible secret, one that may ruin any bits of a social life I have here at Penn, one that I did my best to keep secret, a part of my life I thought closed when I left all those who knew me as a child.


34th Street Magazine

Love Hurts

The Kills are another boy-girl indie band that conjures up memories of the White Stripes, but where their contemporaries failed, The Kills succeed.


34th Street Magazine

Finger Lickin' Bad

Truly excruciating from beginning to end, Crooked Fingers's third full-length album falls embarrassingly short of endurable.


34th Street Magazine

You Minus Me ≠ Us

The ambiguities that pervade our fair language consistently astound me. My most recent rendezvous with wooly English occurred during a stroll through the music department of the Bookstore.


34th Street Magazine

The Fast and The Envious

What ever happened to the days when a DJ actually moved crowds with his or her dexterity at the scratching and mixing of records?


34th Street Magazine

In the Sky With Diamonds

Get ready to embark on an introspective exploration of the musical roots from which Ben Harper has developed in his fifth studio album, Diamonds on the Inside. Backed by his band, the Innocent Criminals, Harper courageously experiments with a wide range of sounds, including reggae, Delta Blues, funk, gospel, hard rock and world music.


34th Street Magazine

Just Shoot Me

Assassination Tango should be good.ÿ Under the deft hand of Robert Duvall -- who directs, produces and stars in the film -- this labor of love should be a masterpiece.ÿThe film, however, falls short of these expectations.ÿThe ingredients are there, but they end up producing a lot of nothing -- unless you enjoy staring at one pointless scene after another for two hours, that is.