Review
Album Review: "Guilt Trips"—Ryan Hemsworth
It’s hard out here for a DJ.
Album Review: "Prism"—Katy Perry
Katy Perry is definitely our first lady of pop and she proves her merit once again on “Prism.” The album is filled with the kinds of punchy pop pieces we've come to expect from her, but “Prism,” more than her previous albums, showcases her impressive pipes.
Philly Film Festival Review: "The Suspect"
A black man with a gun robs the local bank in a small Minnesota town. Shortly after, the cops also find a black man, covered in dirt, walking along the side of the road.
Review: Little Nonna's
A Little Bit of Nonna’s All I Need
Review: St. Declan's Well
New Campus Bar Lacks Depth
Review: "More Is Than Isn't"—RJD2
Philadelphia–based musician and producer RJD2 rose to fame on the back of singles like 2008’s “Ghostwriter,” colorful, cut–and–paste blends of downbeat hip–hop, jazz, soul and funk.
Review: "Bangerz"—Miley Cyrus
The slow beat and sentimental lyrics from “Adore You,” the first track of Miley’s new album “Bangerz,” show Miley’s maturation into a true singer.
Review: "Mountains of Sorrow, Rivers of Song"—Amos Lee
Philly–born singer/songwriter Amos Lee has always been known for his grass roots musical style, and loyal fans will be more than satisfied with his Americana–inspired turn on “Mountains of Sorrow, Rivers of Song.” Opening track “Johnson Blvd” and fourth track “Chill in the Air” embody the feel of the album best, featuring Lee’s calming vocals with more southern–tinge than usual.
Review: "Too Weird to Live, Too Rare to Die!"—Panic! At the Disco
The exclamation mark may be back, but Panic!
Review: "In a Perfect World"—Kodaline
Perfection is what we all aspire to, and though Kodaline misses the bullseye, they come very close.
