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(04/22/24 4:00am)
In the vast landscape of modern entertainment, where reality TV and bite–sized content dominate our screens, there's a category of television that stands apart, captivating audiences with its depth, storytelling prowess, and cinematic grandeur. This realm is known as prestige television, a term that has become synonymous with high–quality, immersive storytelling that transcends the ordinary.
(04/08/24 2:07pm)
I have watched all two seasons of Pen15, but I don’t even know what platform it is on. My TikTok for–you page is filled with clips of any semi–popular TV show in the last 15 years, divided into short parts, split screened with Subway Surfers or slime DIYs. These videos even prompted me to watch all seven seasons of Malcolm in the Middle, a show I had never even heard of before this year.
(04/03/24 4:00am)
Welcome, demigods and mortals alike, to a world where monsters lurk around every corner, gods walk among us, and the fate of the universe hangs in the balance. Yes, my friends, I'm talking about the enchanting realm of Percy Jackson and the Olympians, where ancient myths collide with the modern world in a whirlwind of adventure, humor, and heart. Grab your celestial bronze sword and your Camp Half–Blood T–shirt, because we're about to embark on a journey that's as thrilling as it is legendary: exploring the cultural phenomenon that is the new Percy Jackson TV show on Disney+!
(02/05/24 5:13am)
It’s late at night, the sky deep purple against the New York City skyline as Hudson University President Nathan Alpert walks home. He’s agitated; criticism has been coming from every direction. The campus is in the midst of mounting tensions between pro–Israel and pro–Palestine advocates. Donors have pulled out funding and student groups are protesting. He’s heading home though, complaining to his wife on the phone over the contents of the day and promised a relaxing night for his troubles. But he pauses mid–sentence, noticing students spray–painting political imagery onto a building. He yells out to them as they disperse and turns to leave. But in that movement, his eyes widen. Out of nowhere, a knife plunges into the president’s body. He falls.
(12/11/23 9:57pm)
If you’re a Penn student, you’ve probably spent the last few days waiting with bated breath as the congressional hearings about antisemitism on college campuses and Liz Magill’s resignation make top national news. You stalk the The Daily Pennsylvanian Instagram account, and your inbox is flooded with email after email discussing Scott Bok, Magill, Julie Platt, and the state of our campus. This is to be expected after such an unprecedented turn of events. But we didn’t expect our president to be the subject of a Saturday Night Live cold open.
(01/12/24 1:58am)
Think about the last time you saw a woman over 60 portrayed on screen as anything but a passive grandmotherly figure. There’s Grace and Frankie, It’s Complicated, Something’s Gotta Give and, well, that’s pretty much it. But for older men, there are a myriad of examples of men over 60 starring in dynamic roles—just think how many Harrison Ford movies have come out since he turned 60 in 2002. Despite the one dimensional examples of older women on screen, most are still part of the workforce until their mid 60s and are active in raising families. Like anyone else, they’re falling in love, grieving losses, exploring the world, and occasionally running into trouble. This phenomenon goes beyond the screen. Surveys have shown that women feel not only devalued by society as they age, but increasingly invisible. This has real world implications, manifesting itself beyond jokey birthday cards to workplace discrimination. The Golden Bachelor seeks to change the lack of representation of women over 60 in media, showcasing the highest peaks and lowest valleys of life after qualifying for AARP while staying (mostly) true to life.
(12/08/23 1:26pm)
2023 marks another year of my affectionate relationship with cinematic and televisual. I traveled around the globe chasing film festivals, producing more academic nonsense for my beloved Cinema & Media Studies classes, and inevitably falling in love with the many worlds behind the screen over and over again. I believe that film and television are all about worldmaking: They have an unparalleled capability to help us imagine strange people, unconventional lives, and alternative experiences that are by no means trivial to our existence on Earth. All film and television, for me, are realistic, because what is our perception of reality but the very boundary of our imagination?
(11/10/23 2:00pm)
Editor's Note: This is (strictly speaking, no guarantee) the longest article we've ever published in the history of Street. Sadly, as much as we'd like to, we at the office can't watch the show back–to–back together in order to copy edit the piece and make sure Isaac has got every tiny detail right—that's the task we've left to all of you. I can't speak for everyone else, but I'm so ready to dive into Riverdale world immediately after this is published.
(11/07/23 10:37pm)
Twenty years ago, Roberto Aguirre–Sacasa, a former Glee writer who would go on to become the Riverdale showrunner, received a cease–and–desist order from Archie Comics the night before the world premiere of his adapted play, Archie’s Weird Fantasy. Archie Comics forced Aguirre–Sacasa to change his characters' names, distancing them from the pre–existing IP, as the company thought that portraying Archie as gay, which Aguirre–Sacasa intended to do, would “dilute and tarnish his image.” So the team bit the bullet, changed the names, and premiered Weird Comic Book Fantasy instead of Archie’s Weird Fantasy, following the grown–up lives of Tapeworm (Jughead), Monica (Veronica), Rosie (Betty), and an out–of–the–closet Buddy (Archie). Oh, and also the play included AIDS, the Leopold and Loeb case, and a meta–commentary on the head of EC comics. Is it any wonder Aguirre–Sacasa’s Riverdale would end up going in the myriad of increasingly fantastical directions?
(10/23/23 1:00pm)
We are living in the apex of recycled media. From dark and gritty reboots like Riverdale to unwanted sequels like the upcoming Gladiator 2, most high–profile projects these days simply get greenlit with a specific audience in mind. This is probably why when Rick Riordan visited the Disney+ offices, it didn’t take long to seal the deal: Percy Jackson and the Olympians—a veteran children’s series—is getting its well–deserved adaptation this holiday season.
(10/06/23 4:00am)
It only took Disney ten years to kill Star Wars—Star Wars, one of the most legendary franchises of all time. Imagine telling your eight–year–old self that one day, a new Star Wars TV show would be released every couple of months, and not only would no one care, but the shows would be mocked and reviled. This summer’s release of Ahsoka, the latest Star Wars TV show, demonstrates just how far the once–great franchise has fallen.
(09/28/23 7:33pm)
This summer, starting June 5th, just as in eight summers before, the U.K. reality TV show, Love Island, sent numerous single guys and girls to Mallorca, Spain where they would live with each other and work to form romantic connections. As in previous summers, different versions of the show premiered in other countries such as the U.S., France, and Australia. At almost any point during this summer, you could go online and find pages upon pages of discourse surrounding the show, its characters, and its various international spin–offs. And yet, despite Love Island's attempt at recreating its original hype from its first run, the show did not achieve nearly the same results this time around.
(09/24/23 11:14pm)
Workplace dramas are no newcomers to our television screens. From medical series like Grey’s Anatomy, to police comedies like Brooklyn 99, it would seem that general audiences like to spend their time after a 9–to–5 watching other people in their own 9–to–5s. It’s no real surprise that a legal drama like Suits, starring Gabriel Macht and Patrick J. Adams, would rack up numbers—but if the show premiered in 2011, why is it suddenly blowing up in 2023?
(09/18/23 12:00pm)
There used to be a standard method of viewing television. You’d pick up the remote, turn on the TV, pick a channel, and voila! You’re watching television. It was simple and nice and required minimal thinking. Today, the formula is not so simple. There is watching the show, looking at what people on the Internet are saying about the show, and then, listening to a podcast about it.
(06/30/23 5:00am)
Editor's Note: This article contains spoilers for Season 3 of 'Ted Lasso'
(06/30/23 2:25pm)
America's obsession with the true crime genre is no secret. The never–ending re–enactments are everywhere, from documentaries to television shows and podcasts. But as the genre reaches peak saturation, the question emerges: are these traumatic true stories really binge–worthy?
(06/26/23 3:47pm)
With skies darkened by wildfire soot, melting glaciers, and oceans littered with plastic, it’s easy to feel like the world is burning. Nature documentaries are an escape from this reality where it feels like all we do is threaten the outdoors. Last week, Netflix premiered Our Planet II, the sequel to the award–winning nature documentary series, Our Planet. The episodes showcase the stunning imagery associated with the genre, but also acknowledge the threat that humans pose to our environment. Our Planet is one of many nature documentaries on streaming services. Wild Babies, Dancing with the Birds, Life in Color, Chimp Empire, Our Great National Parks, Wonders of the Sea, Magical Andes … the list goes on. So why do streaming services keep churning out nature documentaries, and what does Our Planet II have to say about this growing genre?
(06/16/23 5:00am)
Writing about HBO’s new show The Idol is a trap. It wants desperately to be written about, packed to the brim with references to modern cultural debates and full of gratuitous sex and nudity. But for a show trying to satirize our modern landscape, The Idol is curiously stuck in the past.
(06/09/23 3:44pm)
*This article contains spoilers for Season 4 of Succession*
(06/02/23 2:44pm)
“Dearest Gentle Reader, this is the story of Queen Charlotte from Bridgerton. It is not a history lesson. It is fiction inspired by fact. All liberties taken by the author are quite intentional. Enjoy.”