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(06/16/23 5:00am)
From North and South Korean star–crossed lovers to blind dating CEOs, K–Dramas have covered every single possible love/drama/murder/mystery scenario one could ever think up. They demand addictive engagement— an hour of entertainment packed within each episode. They contain multiple storylines, introducing a variety of couples and family nuances while retaining the trademark Korean humor—that careful balance between dry comebacks and over–the–top reactions. They invoke second lead syndrome (warning: don’t watch Reply 1988 unless you want a severe case of this), where the main character doesn’t end up with the person you were rooting for. In other words, they’re incredibly entertaining.
(04/26/23 11:00am)
An A24 film is defined by two unmatched qualities: surrealist art and realist relationships. Grounded in these A24 principles, Beef reveals the underbelly of humanity, ascribing a certain proposition to the audience: “anger is just a transitory state of consciousness.” And moreover: it’s okay to be angry.
(04/26/23 4:00am)
After a hectic week of classes, I’m looking forward to one thing. Windows closed, dorm door locked, and computer brightness all the way down, I open up an incognito tab and navigate to my secret guilty pleasure: Outer Banks.
(04/21/23 10:07pm)
Warning: This piece contains spoilers for the season finale of The Last of Us.
(03/27/23 4:00am)
Content warning: The following text describes sexual harassment and can be disturbing and/or triggering for some readers. Please find resources listed at the bottom of the article.
(03/03/23 5:00am)
Some individuals have comfort people while some have comfort blankets. Others, though, have comfort TV shows. Comfort shows—with their specific storylines, immersive worlds, and fictional characters that we grow to know so deeply—as a type of emotional support aren't a foreign concept, but they're arguably more important now than ever before, given the current climate of the world.
(01/23/23 5:00am)
Maybe it’s the highly dramatic acting that feels almost mimed at times, or maybe it’s the flamboyant clothing sported by Lily Collins’ character, but whatever it is, the fact remains that Emily in Paris is a show that, while highly entertaining, is usually laughable. Ask someone if they’ve watched the Netflix original series, and they’ll almost certainly roll their eyes and laugh, indicating their dislike for the cheesy program.
(11/18/22 1:35am)
A few weekends ago, as I was getting ready to go out, I received a horrifying text message from my mother: “I started watching Tell Me Lies.” For any girl who just started college, if your mom sends you this same text, you should scream, panic, and very quickly change your family’s Hulu password.
(10/31/22 1:11am)
Four minutes left in the episode—just 240 seconds for a five–year–long tale of deceit, love, and fame to unfold. In the time it took to microwave Kraft mac–and–cheese, the main character would have to decide whether or not to reveal an earth–shattering secret that would change the course of her and her family's life. Season 4 Episode 9 of Hannah Montana had left me in shambles.
(10/26/22 4:00am)
Three women walk into a bar: one perjured herself on the stand, one had a pop–star career funded by her husband stealing money from his class–action victims, and one ran a telemarketing fraud scheme that targeted vulnerable groups. What do they have in common? They're all stars of Bravo’s Real Housewives franchise.
(11/04/22 1:00pm)
For years, I’ve had a weekly tradition of tuning in at 11:30 PM to watch Saturday Night Live as it airs. To me, SNL is the pinnacle of comedy, with hilarious sketches and insanely well–produced pre–tape videos, all created from scratch within a week.
(10/28/22 4:00am)
With yet another attempt to be “woke,” America is actually harming one of our most vulnerable demographics of society—adolescent girls.
(10/28/22 1:36am)
When the first season of Hulu’s The Handmaid’s Tale premiered in the spring of 2017 to critical acclaim, pundits, critics, and journalists interpreted this dystopian tale through a frighteningly current lens. The show, based on Margaret Atwood’s 1985 novel of the same name, follows June Osborne as she is forced into childbearing labor by an America consumed by religious extremism. Premiering a few weeks after President Donald Trump’s inauguration, the show was backdropped by Trump’s presidency. The show’s villains were often compared to corrupt members of Trump’s cabinet, and even the show’s lead actress, Elisabeth Moss, and showrunner Bruce Miller were vocal on their belief that The Handmaid’s Tale was crucial to resisting the current political moment. The show quickly found its cultural niche as a narrative of feminist resistance. Yet even as much as it abhorred the Trump presidency, the show heavily leaned on the Trump administration and particularly its hard line on abortion for inspiration and relevance.
(10/04/22 6:47pm)
My childhood, along with that of many other young girls, was given an extra dash of magic by the 30 minutes I’d spend each week watching the animated fairies of the Winx Club sparkle across my TV. Naturally, when I heard Netflix was releasing a live–action reboot in January 2021, I parked myself in front of my computer for six hours to binge–watch their version of the series. Although the reboot may not have gotten everything right, Netflix took an admirable first stab at a concept I’d love to see continued—creating mature versions of children’s series to parallel the original audience’s age and growth.
(09/27/22 11:00pm)
Imagine Disney+ or Kevin Feige doing a Game of Thrones prequel about House Targaryen. There would be more dragons, for sure. An amusing tour of the dragon pit with a flippant guide is warranted in the first ten minutes of the pilot, including several self–referential jokes. They might even have two dragons spew fire at each other, although no one would be harmed by the end of the episode.
(09/26/22 12:00pm)
A year ago, if someone told any television executive that the hottest new comedy was going to be a half–hour sitcom on ABC, that executive would’ve had their assistant’s assistant laugh in that person’s face, and for good reason. Until the premiere of ABC’s Abbott Elementary, nearly every new network sitcom in the last ten years has been dead on arrival. And even if shows like Young Sheldon and The Conners are able to maintain a consistent viewership, Abbott Elementary is the one being watched and adored by all of Hollywood for its nearly impossible feat of being successful both commercially and critically on a network.
(09/07/22 5:26pm)
We’ve seen it time and time again: female protagonists going head to head over a guy. It’s Blair against Serena, Meredith against Addison, Peyton against Brooke, and—a more recent favorite—Kate against Edwina in season two of Bridgerton. The love triangle is often used to create tension between two female characters in film and television. This trope has been present in popular culture and storytelling practices for a very long time, and it seems as though it isn’t going away any time soon.
(08/24/22 12:00pm)
On Feb. 9, 1958, Steve Allen and the guests of his Sunday night variety series marched through the NBC studios with Dinah Shore over to the set of her own show, singing and dancing all the way. The group followed cameras around hallway corners while performing Allen’s “This Could Be The Start of Something Big.” The final product survives in video form, a wildly impressive technological feat for its decade.
(07/24/22 4:00am)
As a former Jenny Han addict, I knew I had to drop everything and watch The Summer I Turned Pretty the moment it dropped on Hulu. For the uninitiated, the book–adapted series follows the story of Isabella “Belly” Conklin, a 15–year–old whose family stays in a summer home at the Hamptons–esque Cousins Beach every year, courtesy of her mom’s well–off best friend Susannah and Susannah’s two teenage sons.
(07/15/22 1:57pm)
For the last two months, Netflix, the biggest streaming service in the world, has released its biggest show to date: Stranger Things Four. Undoubtedly, Stranger Things is Netflix’s flagship show, racking over 1 billion hours of viewership worldwide and closing in on Squid Game’s 28–day record of 1.65 billion hours.