type
Film
Interview: Cast Of “The Fighter”
It’s late afternoon on a cloudy day in Los Angeles, and everyone in the press room has a reason to be nervous.
by 34TH STREET
Film
Review: Faster
Faster’s unoriginal and awful title suggests a forgettable experience, and unfortunately the film’s content does nothing to counteract our initial impression.
by 34TH STREET
Cultural Elite 2010
The 79 seniors you all should know (of). If you don't, then you're clearly a loser with no social life (see: Adam Behrens).
Oh, and in case you were wondering: Only first names and last initial appear on the web edition of Cultural Elite, because, well, the internet is forever.
by 34TH STREET
Fighting Homelessness Step By Step
[media-credit name=" " align="alignright" width="273"][/media-credit]The front page of the November issue of One Step Away contains a number of accounts about the meaning of Thanksgiving.
by 34TH STREET
Film
Operation!
In 127 Hours, Aron Ralston’s lower arm joins one of the many body parts lost to the world of celluloid.
by 34TH STREET
Film
Review: Harry Potter And The Deathly Hallows: Part I
As is the problem with all book adaptations, the Harry Potter movies struggle between appeasing pedantic super fans and providing enough modification to warrant a cinematic retelling.
by 34TH STREET
Film
Review: 127 Hours
Aron Ralston traveled to a national park in Utah for a typical adventure involving rock climbing and hiking.
by 34TH STREET
Ego
Ego Of The Week: Adie Remiker
Street: As chair of Strictly Funk, what exactly do you do?
Adie Remiker: Delegate all responsibility to others and let them work their magic.
Street: What is your signature dance move?
A.R.: Hair Flip… with a body roll… end with a boom–ka.
Street: Are you strictly anything else?
A.R.: Strictly way too old to be living in the quad.
Street: What’s the most underrated thing at Penn?
by 34TH STREET
Music
One Track Mind: “Together Baby,” Ghostface Killah
One of Wu Tang’s most active members in the current music scene, Ghostface Killah shows no sign of slowing down, following up last year’s misguidedly R&B–centered Ghostdini: The Wizard of Poetry in Emerald City with The Apollo Kids, set for release Dec.
by 34TH STREET
Review
Make Me A Match, Part Deux
Jim Santel is a junior English major from St. Louis. He recently transferred from The University of Chicago.
by 34TH STREET
Review
Review: Franklin Mortgage & Investment Co.
When we casually stumbled down the stairs of Rittenhouse’s Franklin Mortgage & Investment Co. fresh from a sweaty stint at a stereotypical Penn–packed event, it was as though we'd traveled back in time.
by 34TH STREET
Music
One Track Mind: “Car Crash,” Telekinesis
After a first listen, “Car Crash” seems like a major contradiction: the song’s airy, unmistakably happy hook draws us in while the morose opening lyrics question this upbeat nature.
by 34TH STREET
Music
Review: Kanye West, “My Beautiful Dark Twisted Fantasy”
Kanye West has a lot of haters.
With his type of personality, it’s hard to imagine he wouldn’t.
by 34TH STREET
Music
Review: Rihanna, Loud
Rihanna’s fifth album, Loud, celebrates sex, love, and having a good time — a stark contrast with the anger emanating from her previous album, Rated R.
by 34TH STREET
Arts
Guest Curator: Professor Julie N. Davis
This week Associate Professor of the History of Art and Art History Undergraduate Chair Julie Davis sits down with Street and talks about getting Zen, reincarnated tacos and why Philadelphia is a cultural force to be reckoned with.
by 34TH STREET
Arts
Review: Michaelangelo Pistoletto At The PMA
Italian contemporary artist Michelangelo Pistoletto has strewn the walls of the PMA with his artistic reflections in more ways than one.
by INNA KOFMAN
Ego
Ego of The Week: Julia Rubin
Julia Rubin, Street's washup/former Editor-in-Chief, has her final say in our last issue of the year.
by 34TH STREET
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