At Hailsham academy, Kathy (Mulligan), Ruth (Knightley) and Tommy (Garfield) live in a world of Orwellian euphemisms — they are “special” children predestined to make “donations” until “completion.” While not as subtle as Kazuo Ishiguro’s masterful novel, Mark Romanek’s adaptation of Never Let Me Go gradually reveals the grim fate that awaits these students, offering clues.
We're back in high school again
Easy A, the newest movie about high school, wants to be both a commentary on John Hughes-directed ‘80s films and itself a Hughes-directed movie.
The biggest surprise about The Kids are All Right, popularly billed as “that movie about the lesbian moms” is that it ends up being so much more than just that.
If you’re looking for something to make Summer 2010 last just a bit longer, Father of My Children (suprisingly not a story about baby daddies) will make you feel some excruciatingly long moments.
When Swedish author Stieg Larsson finished the manuscripts for the Millennium Trilogy, he probably never expected that his books would become a must-read sensation around the world.
It’s easy to forget that, in 1995, it was Toy Story that profoundly changed the face of animation, rendering, for the first time, a face with shine on its forehead and a realistic shadow cast under its nose.
Probably the farthest thing from the over the top “passion” on The Jersey Shore, the Italian film I Am Love is a quietly moving and understated look at relationships.
Early in the film, Get Him to The Greek, a spin-off of the brilliantly funny Forgetting Sarah Marshall, seems to have all the promise of its predecessor.
Battle wounds, malaria treatment and vaccinations are to be expected in a film documenting the mission of four Doctors Without Borders/Medecins Sans Frontieres (MSF) volunteers in devastated Liberia and war-torn Congo.
George A. Romero has made a career out of zombie movies, starting all the way back in 1968 with Night of the Living Dead. His latest offering, the upcoming Survival of the Dead, makes perfectly clear that it’s time for Romero to lay this sub-genre to rest.
Street sat down with Nash Edgerton, director of The Square, to discuss spiders, stuntwork and freak accidents
Street: You do everything – acting, editing, directing, writing, stuntwork – is their a certain role you like most?
Nash Edgerton: No I don’t think – I kinda like doing a bit of everything.
Disney’s newest earth day special, Oceans, explores the thought posed by a tiny blonde boy in the opening scene — “What is the ocean?” In an effort to answer the question Disney, guided by the narration of Pierce Brosnan, takes us into the sea to meet the characters that define it.