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Film & TV

Review: Never Let Me Go

At Hailsham academy, Kathy (Mulligan), Ruth (Knightley) and Tommy (Garfield) live in a world of Orwellian euphemisms — they are “special” children predestined to make “donations” until “completion.” While not as subtle as Kazuo Ishiguro’s masterful novel, Mark Romanek’s adaptation of Never Let Me Go gradually reveals the grim fate that awaits these students, offering clues.

by 34TH STREET

Sharp Talons

At midnight, Hedwig, the world’s most famous snow owl, invited us to tea at her ostentatious owlery at the top of the Tower of London.

by 34TH STREET

Fall Film Predictions

As we transition from summer excess to academic studiouness, Hollywood too is laying down its machine guns in favor of more intellectual fare.

by 34TH STREET

Review: The Town

This is not the screwing around crew Ben Affleck’s first feature, Gone Baby Gone, was an intimate drama about detectives searching for a missing girl.

by 34TH STREET

Review: Easy A

We're back in high school again Easy A, the newest movie about high school, wants to be both a commentary on John Hughes-directed ‘80s films and itself a Hughes-directed movie.

by 34TH STREET

Shake It Like a Salt Shaker

Anyone who saw either of the Tomb Raiders might be inclined to think Angelina Jolie + action movie = awful monstrosity.

by 34TH STREET

Lez (Not So) Miserables

The biggest surprise about The Kids are All Right, popularly billed as “that movie about the lesbian moms” is that it ends up being so much more than just that.

by ALEXA BRYN

Hopelessly Devoted to You

When we think of devotion, we immediately conjure up religious bowing and scraping or I-can’t live-without-you love stories.

by ANNIE NAYAK

Papa Don't Preach

If you’re looking for something to make Summer 2010 last just a bit longer, Father of My Children (suprisingly not a story about baby daddies) will make you feel some excruciatingly long moments.

by MEG SCHNEIDER

We Didn't Start the Fire

When Swedish author Stieg Larsson finished the manuscripts for the Millennium Trilogy, he probably never expected that his books would become a must-read sensation around the world.

by SCOTT DZIALO

Raining Cats and Dogs

Explosions and Computer Graphics Imagery can be a lot of fun. That’s why they comprise the majority of the summer blockbuster.

by MICHAEL RUBIN

Third Time's the Charm

It’s easy to forget that, in 1995, it was Toy Story that profoundly changed the face of animation, rendering, for the first time, a face with shine on its forehead and a realistic shadow cast under its nose.

by LUCY MCGUIGAN

Baby Don't Hurt Me

Probably the farthest thing from the over the top “passion” on The Jersey Shore, the Italian film I Am Love is a quietly moving and understated look at relationships.

by MEG SCHNEIDER

Seriously Greeking Out

Early in the film, Get Him to The Greek, a spin-off of the brilliantly funny Forgetting Sarah Marshall, seems to have all the promise of its predecessor.

by LUCY MCGUIGAN

Cry Me a Rivers

Admit it: unless you’re an avid watcher of QVC (no judgment here), you probably only think of Joan Rivers at the mention of plastic surgery disasters.

by MEG SCHNEIDER

Border Patrol

Battle wounds, malaria treatment and vaccinations are to be expected in a film documenting the mission of four Doctors Without Borders/Medecins Sans Frontieres (MSF) volunteers in devastated Liberia and war-torn Congo.

by NADINE ZYLERBERG

Casual Sex

In Sex and the City 2, the girls are back with the same wild outfits, the same posh cocktails and sex just as steamy as it was a decade ago.

by HILARY MILLER

Dying for Something New

George A. Romero has made a career out of zombie movies, starting all the way back in 1968 with Night of the Living Dead. His latest offering, the upcoming Survival of the Dead, makes perfectly clear that it’s time for Romero to lay this sub-genre to rest.

by MIKE RUBIN

Interview with Nash Edgerton

Street sat down with Nash Edgerton, director of The Square, to discuss spiders, stuntwork and freak accidents Street: You do everything – acting, editing, directing, writing, stuntwork – is their a certain role you like most? Nash Edgerton: No I don’t think – I kinda like doing a bit of everything.

by NICK STERGIOPOULOS

Water, Water, Everywhere

Disney’s newest earth day special, Oceans, explores the thought posed by a tiny blonde boy in the opening scene — “What is the ocean?” In an effort to answer the question Disney, guided by the narration of Pierce Brosnan, takes us into the sea to meet the characters that define it.

by HILARY MILLER

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