Rom–Com Legend Nancy Meyers Is Back to Save the Genre
Beautiful homes. Epic Hans Zimmer scores. White women in all–white outfits. Lots of white wine. Divorce. Diane Keaton.
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Beautiful homes. Epic Hans Zimmer scores. White women in all–white outfits. Lots of white wine. Divorce. Diane Keaton.
Camila Cabello has always hovered between the A–list and B–list of pop singers. She debuted with the girl group Fifth Harmony via X Factor in 2012, creating hits like “Worth It” and “Work from Home,” but never really having household recognition unlike the similarly formed One Direction. Cabello left the group at its peak, and her first few solo singles didn’t quite latch on to the public, but “Havana” took over the world by storm, becoming her first number–one song as a solo artist. Her second album Romance was riddled with media gossip thanks to her relationship with Shawn Mendes, and it spawned the summer hits “Señorita” and “My Oh My.”
2022 is shaping up to be a big year for indie and mainstream music fans alike, with releases from Harry Styles, Angel Olsen, Perfume Genius, and Pusha T in the works. As the anticipation builds for these exciting albums, Street's taking a look at the songs that are making the wait a little bit easier. From covers that are getting us through the hardest midterms to singles that are complementing the start of spring and the return of warm weather, these tracks have undoubtedly redefined our perspective on life.
There's a genius, billionaire, playboy, and philanthropist taking the world by storm, and it’s not Tony Stark. Instead it’s the man that inspired the character of Tony Stark—Elon Musk. Unsurprisingly, Musk is constantly innovating and seeking out new avenues to make daily life more efficient. However, Musk has also made a name for himself through his promotion of COVID–19 misinformation, hypocrisy regarding artificial intelligence, and transphobic memes. But this time around, Musk isn’t making the news over his controversial persona or technological prowess. Rather, it’s something unprecedented—taking over Twitter.
The internet is a ruthless place: Twitter wars, harsh memes, and ferocious fights in comment sections are the norm. For four days beginning on April Fool's day in 2017 (and revived for its fifth anniversary at the beginning of this month), Reddit’s r/Place subreddit was the home of much of this intensity. Instead of up– or down–voting one another’s posts, users both cooperated and competed for space on a virtual canvas as part of this online initiative.
Although climate change has gained more mainstream public attention in recent years, the meaning of terms like sustainability and eco–friendly have become increasingly nebulous. Many of the reasons for this issue aren’t mere coincidence. For years, greenwashing has been used as a tactic by corporations who co–opt the language of sustainability for advertising purposes, while failing to make actual changes to their environmentally unsustainable business practices, and continuing to cause material harm to the environment and marginalized communities across the world.
After 30 seasons, ABC announced last week that it had dropped network darling Dancing with the Stars following a steep decline in ratings in the coveted 18–34 demographic. However, loyal fans have nothing to fret over. Disney+ announced that it had acquired the ABC staple in what may initially seem like a surprising investment for the kid–oriented streaming service. Shock aside, its implications are vast for the platform, which has seen its subscriber growth stagnate due to a lack of adult programs.
In 2020, Merriam–Webster dictionary chose “pandemic” as its word of the year, and it’s hard to argue with that. In fact, given the way that it's followed us around relentlessly for the last few years, one could argue that it’s more the word of an era. Or, if you ask Max Strickberger (C ‘22) and Alan Jinich (C ‘22), the word of a generation.
In high school, I aspired to be a beer girl. A beer girl hung out with guys and played pong at parties—she wasn’t one for girly chatter, and perhaps looked a little intimidating. She wore baggy clothing and no makeup, yet looked stunning nonetheless. She was chill. The beer girl was the first of many types of girls who are “not like other girls"—girls who were considered "unique" and didn’t fit the mold of what most other girls were doing.
God to the Egyptians: "Jinx! You owe me your firstborn child."
Sundays, I’ve come to realize, are a polarizing day. Some might say it’s the scariest day of the week, when all the impending responsibilities you’ve spent the past 48 hours tastefully dodging to make room for the pursuit of the finer things in life come back like ghosts of weekdays past to haunt you. Especially here, on a college campus that's essentially a petri dish for the ubiquitous Sunday scaries, Sundays are regarded with a certain kind of wary disdain.
It’s 2022, but on TikTok, it could be the ‘90s. Ever since the Hulu release of the limited miniseries Pam & Tommy, the iconic looks of Pamela Anderson have been making a resurgence. Across social media, it feels like Gen Z is trying to look like Gen X in their youth.
The award show that everyone loves to hate tried a new tactic this year: not sucking.
With the COVID–19 pandemic exacerbating difficulties faced by the movie theater industry, conversations about the death of the movie theater experience have come to the forefront. But for many, movie theaters as they knew them died a long time ago.
When Will Smith slapped Chris Rock at the 2022 Oscars, after Rock made a joke about Jada Pinkett Smith’s alopecia, reactions to the incident ranged from shock to laughter. This mixed reaction soon led to discourse on how Smith's slap poorly reflects not only on him, but also on the Black community at large. Smith has faced harsh consequences just weeks after the slap, resigning from the Academy after a formal investigation was launched against him. Production of his upcoming movies Bad Boys 4 and Fast and Loose have been stalled, with BBC reporting that his career is now “mortally wounded.”
Hamster wheels. Yodeling. A gaggle of grandmothers. You never quite know what to expect in the Eurovision Song Contest, Europe’s annual competition in which roughly 40 countries send an artist to represent their nation with an original song. The contest, which started after World War II as an attempt to heal the continent with just seven countries, has grown into an annual celebration of music, fun, kitsch, and glamor. It’s launched the careers of ABBA, Celine Dion, and Måneskin. It’s created viral moments. It’s even been lovingly satirized by Will Ferrell.
TikTok alt–girls define themselves as the opposite of the mainstream. From finely curated alt–rock playlists to grungy thrifted outfits, the alt–girl aesthetic is seemingly ubiquitous. But what exactly does she look like? Well, that’s where the problem begins.
After years of yielding to the stereotypical roles of Ravi from Jessie and Baljeet from Phineas and Ferb, the unstoppable Hollywood force who is Shonda Rhimes has provided South Asians—specifically South Asian women—with a breath of fresh air. Her casting choices for Netflix's Bridgerton Season 2 in selecting two dark skin Tamilian actresses for the show’s leads, paired with the subtlety of cultural hints throughout the show, is exactly what this community has been longing for. Simone Ashley’s Kate Sharma and Charithra Chandran’s Edwina Sharma are the Parvati and Padma Patil redemption that was so desperately needed after decades.
Name: Niko Simpkins
I think my younger self would be disappointed in me today.
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