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Review: Kaffa Crossing

Make the trek westward for some quality Ethiopian cuisine.

by NINA WOLPOW

Review: Core De Roma

Core Italian dishes done right.

by VALERIE FURMAN

Review: L2

Unremarkable food doesn't help L2's old–fashioned decor.

by ,

Review: Rising Tide

Asian diner is perfect for the late–night drunchies.

by ELLIE LEVITT

Review: Le Pain Quotidien

This bakery should stick to what it's known for: pastries, and a lot of them.

by FRIDA GARZA

Review: Sang Kee Noodle House

[media-credit id=2 align="alignright" width="300"][/media-credit] Service at Sang Kee Noodle House is extremely fast.

by EMILY GERARD

Review: Fez Moroccan Restaurant

Warm towels start off a seven–course meal marathon.

by ,

Review: Moe's Hot Dog House

A classic hot dog joint.

by JORDAN SALE

Review: Le Virtu

[media-credit name="Max Hass | 34th Street" align="alignleft" width="300"][/media-credit] We arrived at the doors of Le Virtu on one of the coldest nights of the year.

by HANNAH MCDONNELL

Review: Modo Mio

Neighborhood Italian Cooks it Your Way.

by JESSICA WHITE

Review: King Kabob

Flaming cart, average kabob.

by ,

Review: Just Go With It

Aniston and Sandler depart from their usual characters

by MOLLY SPRAYREGEN

Street Does Bieber High, Drunk and Sober

Never Say Never screened last night at midnight, and Street was there with our 3D glasses.

by 34TH STREET

Interview: Channing Tatum

Channing Tatum is trying his hand at the period–piece in his new film, The Eagle. Street spoke with Tatum about the unique challenges of playing a legendary warrior, hide–and–seek and filming in the cold. Street: What did you do to get ready for the movie? Channing Tatum: I was obviously going to have to ride horses and fight with swords and stuff, but I had at least a little experience in both of those areas.

by ALEX HOSENBALL

Warning: Graphic Content

Take a peek at the basic sketch of Penn's premier independent student design agency.

by COLETTE BLOOM

Review: Everything and Nothing

Appearing to be a “space in transition,” Frances Trombly’s exhibit, “Everything and Nothing,” currently on show at The Galleries at Moore, could easily be dismissed as an unfinished installation.

by MEGAN RUBEN

The Fab(ulous) Hideout

Are you cut–out for it?

by MAANVI SINGH

Review: Biutiful

Javier Bardem is remarkable in Innaritu's biutifully shot yet overbearing drama.

by NICK STERGIOPOULOS

Interview: Leighton Meester

Gossip Girl Leighton Meester is branching out this year with high–profile roles in Country Strong and The Roommate. Meester took time out of her busy schedule to chat with Street on the latter film, discussing mental illness, roommates and your favorite guilty pleasure TV show. Street: What was it like trying to play the villain in your first thriller? Leighton Meester: It’s funny — I saw the movie with a couple of my friends, and they were asking me, “how did you like it?”, and I was saying “it’s scary.” I was genuinely scared at points, but it is sort of funny that I’m what’s scary in the movie.

by SHELBY RACHLEFF

The Sunday Talkies

Talk radio can sometimes be a bit geriatric. Listening to talk radio here at Penn, though, is an entirely different experience.

by SHELBY RACHLEFF

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