In the ignominious tradition of Alone in the Dark, American actress Agnes Bruckner and German director Katja von Grenier have banded together to create one of the year's worst films with Blood and Chocolate.
The plot is a simple boy-meets-girl, girl's-family-keeps-them-apart premise.
There is so much blood in Smokin' Aces that Joe Carnahan makes Quentin Tarantino look like a pansy. Writer-director Joe Carnahan (Narc) weaves together a story about bloodthirsty, money-hungry hitmen trying to take down Vegas entertainer Buddy "Aces" Israel (Jeremy Piven) before he can snitch on his Mob contacts to the Feds (Ray Liotta, Ryan Reynolds). The dialogue is as fast and dirty as the gunplay in a film that is darkly funny and, funnily enough, somewhat serious, too.
The average audience of the average film will spend a few moments discussing it before dinner plans and traffic reports interrupt; By the next day, the movie-going experience is a distant memory.
Like Steve Nash or a fine wine, Clint Eastwood is getting better and better in his old age.
A companion piece to October's Flags of Our Fathers, Letters from Iwo Jima tells the story of the infamous World War II Battle of Iwo Jima from the point of view of the Japanese soldiers.
Catch and Release is no work of art, and the filmmakers know it. In one scene, a character flat out remarks that mainstream flicks today provide more gimmicks and cheap thrills than commercials.
Freedom Writers, written and directed by Richard LaGravenese, holds no surprises. It tells a familiar story: a young, eager teacher enters an urban high school classroom full of poor kids with no futures.
I love Meryl Street.
No. Seriously...I kind of want to marry her. And we could live on a small ranch in North Dakota while I raised her children (Who cares if they're about my age?
In 2002's Adaptation, Meryl Street was her typical self: a leggy and lean, blond, prim New Yorker; a successful writer in a tall office building, middle-aged and respectable, even slightly untouchable for some of the other characters.
I know what you're thinking. Does Meryl Street really have the kind of tits I'd like to see drunkenly bouncing around behind lime green triangles of Nylon Lycra?
Boy, that heroin stuff sure is bad news bears.
Candy, Australian director Neil Armfield's adaptation of Luke Davies's novel, does little more than leave us with that very conclusion.
Unfolding within a single day at the iconic Ambassador Hotel in 1968 Los Angeles, Bobby is a fictionalized account of the events leading up to presidential hopeful Robert F.
The Fountain
3.5 Stars
Directed by: Darren Aronofsky
Starring: Hugh Jackman, Rachel Weisz, Ellen Burstyn
Rated: PG-13
With a tagline that reads "What if you could live forever?" The Fountain initially seems to be a more mature version of Tuck Everlasting.
Initially, Fast Food Nation sounds like a rehash of the hit documentary Super Size Me. However, this revelatory character study from director Richard Linklater (based on the nonfiction Eric Schlosser book) takes several completely different perspectives on the ever-burgeoning problem of America's dependence on fast food.
Rather than using a single viewpoint, the story weaves its way through an array of people connected through a fictitious fast food restaurant called Mickey's.