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Film & TV

As Told By Penn: Sex Scenes

We caught up with a few Penn personalities and asked for their favorite sex scenes.

by 34TH STREET

Machine Gun Preacher Review: The Most Messed Up Preacher You'll Ever Meet

The man makes the movie, but the movie doesn’t quite make the man.

by SHELBY RACHLEFF

On Screen: Sex Edition

Street takes you through some of the hottest scenes that you won’t be embarrassed to watch in Van Pelt.

by 34TH STREET

Interview with Machine Gun Preacher's Sam Childers

Street had the unique opportunity to sit down with the real Machine Gun Preacher to talk about his work in Africa, the testimonies we all carry and how if he was still doing wrong, God wouldn’t have let him get so far. Street: Could you tell us a bit about your life before you found God and your cause? Sam Childers: I was a pretty rough guy.

by SHELBY RACHLEFF

Review: Killer Not-So-Elite

Love of action required, attention span optional.

by SHELBY RACHLEFF

Movies Up To Bat

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by HILARY MILLER

Review: Moneyball

Moneyball gets on base.

by SHELBY RACHLEFF

Street Film Presents: Our Picks for The Best of Fall

[poll id=7] A Dangerous Method Plot: Legendary psychoanalyst Sigmund Freud (Mortenson) and his protégé Carl Jung (Fassbender) have overlapping relationships with the beautiful and disturbed Sabina Spielrein. Reasoning: The Mortenson–Fassbender combo is enough to get us to see this opening weekend (maybe more than once), but it’s the recent legacy of Cronenberg’s films (A History of Violence, Eastern Promises) that has us anxious. Potential Downfall: Keira Knightly’s Russian accent. The Skin I Live In Plot: A surgeon (Banderas) works to develop a damage-resistant synthetic skin with a test subject who is linked to his tragic past. Reasoning: Almodóvar knows how to get under our skin with past Spanish–language emotional rollercoasters like Bad Education and Talk to Her, but it’s Banderas’ ability to find the pitch–perfect balance between revenge and stoicism that creeps us out the most. Potential Downfall: Graphic home biolabs might not be for everyone. Like Crazy Plot: The romance between a British and an American college student is torn apart when her she’s deported due to an expired visa. Reasoning: This quiet indie piqued our interest when it won the Grand Jury Dramatic Prize at Sundance, but the trailer featuring delicate and love–lorn shots of the two young stars captured our hearts without seeming cliche. Potential Downfall: We don’t need another Blue Valentine quite yet. J.

by 34TH STREET

Film Review: Ryan Gosling Can DRIVE

We’d be happy to ride shotgun in this latest blockbuster.

by NADINE ZYLERBERG

I Don't Care How She Does It

SJP should stick to Manolos over finance.

by SHELBY RACHLEFF

Study These Fall Films

Street took the liberty of stereotyping you... again. But this time by major! Match your major with the film you shouldn't miss this fall.

by HILARY MILLER

Penn On Screen

At Penn, we know we’re in good company with plenty of actor and director alums ­— Elizabeth Banks and Ken Olin, to name a few.

by 34TH STREET

So Good It's Contagious

Hypochondriacs beware.

by HILARY MILLER

The Misfits

High school misfit dramedy squeaks past success with soul

by CHRISTIAN GRAHAM

Space Oddity

Sundance hit soars despite indie missteps

by LEAH STEINBERG

This Week In: Vintage Cinema

Philly is taking an inexplicable trip back in time to the days of David Bowie, the Exploding Plastic Inevitable, and unabashed male nudity in the arthouse market.

by ,

The Daily Fail

Morris doc can’t resist sensationalism

by LALITA CLOZEL

Bye Bye Harry

Final Potter film gets the job done

by 34TH STREET

Inside Man: Extended Interview

Page One director Andrew Rossi chatted with Street about the future of print media and his unprecedented access to The New York Times’ hallowed halls.

by LAURA FRANCIS

The Hours and the Times

Compelling doc takes a sentimental look at The New York Times

by LAURA FRANCIS

PennConnects

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