Last year, many film lovers were outraged that the Swedish vampire masterpiece Let the Right One In didn’t score an Academy Award nomination for “Best Foreign Language Film.” However, Oscar voters were not to blame.
For a film based on the well-known attempt by a set of climbers to scale the north face of the Eiger in 1936, the German-made thriller North Face perfects the art of the cliffhanger (literally) — even for an audience aware of the ultimate historical outcome.
From the moment the main characters Toni Kurz (Benno Furmann) and Andi Hintertoisser (Florian Lukas) — two Nazi soldiers who prefer pitons over pistols — approach the deathly Eiger, director Philipp Stolzl crafts the story of the climber’s ascent with visual and emotional precision.
With the group of climbers clinging to a mass of rock by the most inconsequential of steel and rope, dodging avalanches and taking a frostbitten beating from the fickle weather, Stolzl brings the audience to the mountain, piecing together the infamous story in the process.
This becomes most evident in the scenes off the mountain; where the storyline strays from original accounts of the expedition, it struggles the most.
According to Don Argott’s riveting documentary The Art of the Steal, one of the biggest thefts of recent memory was conducted not by masked men with guns, but by Philadelphia’s own elected officials.
Roman Polanski has directed yet another cinematic success with The Ghost Writer, a political thriller — and adaptation of Robert Harris’s book of the same name — that acutely delves into the lives of its high-powered characters, isolated from their country and the rest of the world on a secluded, bleak and wintry Massachusetts island compound.
A few years ago, I watched Raging Bull on a whim. Having finally appreciated a movie not starring Will Ferrell, I vowed to make my way through the rest of Martin Scorsese’s greatest hits.
After garnering Oscar nominations for Best Supporting Actor and Best Original Screenplay, fall release The Messenger is returning to theaters this week.
Archie’s too-cool-for-school rock star friends, Josie (Rachael Leigh Cook), Melody (a pre-train wreck Tara Reid) and Valerie (Rosario Dawson) leap off the comic book pages and onto the big screen in this tongue-in-cheek comedy.
Street caught up with legends Martin Scorsese, Leonardo DiCaprio and Sir Ben Kingsley to discuss their new film, Shutter Island
Street: How did you approach this film, and what drew you to the material?
Martin Scorsese: I think I just tried to approach it from my own reaction to reading the material.
On the surface, Fish Tank seems like the white, British version of awards show-darling Precious. Both films feature teenage girls with big dreams in seemingly hopeless situations, living in poverty with negligent mothers and little guidance.
Are werewolves the new vampires? Thanks to a certain tweenage book/movie sensation, it seems like our favorite hairy monsters are making a resurgence on the big screen.