Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

Holy crap -- Uma Thurman is on j-date?!?

In Prime, Meryl Streep portrays the Jewish Mother rather convincingly as Lisa Metzger, a therapist who discovers her patient (Uma Thurman), who's 37, divorced and definitely not Jewish, is dating her 23-year-old son (Bryan Greenberg). Sure, she'd rather her son be a CPA or a lawyer than follow his true calling as an artist and worries about the religion of her future grandchildren over a pastrami on rye, but Streep refrains from beating the stereotype to death. The relationship between Rafi (Thurman) and David (Greenberg) plays out while Lisa keeps her discovery to herself, nervously downing countless glasses of water as Rafi unknowingly gushes about David's beautiful penis in the weekly psychoanalysis sessions.

Even with his winning smile and killer body aside, Greenberg's character is hard not to love. He's in his first grown-up relationship, sincerely struggling to make it work despite the age gap, his controlling mother and visions of his dead Bubbe whacking herself in the head with a frying pan. (That's what he gets for dating a shiksa.) Director Ben Younger, of Boiler Room fame, succeeds in his first venture into the romantic comedy genre. The older woman/younger man formula does not come without cliches, but Prime has some hilarious moments and at the same time brings realistic issues of relationships, religion and family expectations to the surface.


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.