Before John Travolta hammed it up in drag, the MGM movie/musical reigned supreme. Sure, Singin’ in the Rain may get all the credit in the history books, but dig deeper and you’ll discover a cinematic gem: Seven Brides for Seven Brothers, the story of the feisty tavern cook Milly and her search for love and family in 1850s Oregon.
Unfortunately for Milly, when she marries backwoodsman Adam Pontipee, she’s forced to take care of his six brothers, who are blessed with the charm and manners of drunken Penn students at Fling.
Any will girl will tell you “it’s all about playing the game.” In A Game For Girls, director Matteo Rovere showcases the lives of four beautiful, wealthy Italian high school girls and the sinister tricks they play on others.
12 sets the tale of the 1957 classic 12 Angry Men in crooked modern-day Moscow. The 12 titular jurors must decide the fate of a young Chechen boy accused of murdering his stepfather.
Giants, ogres and elves… oh my! I thought I’d outgrown fairy tales, but when Ella Enchanted, the film version of my favorite childhood novel, came to theaters, I was instantly, well, charmed.
Sideways Stories from Wayside School
Louis Sachar’s loopy series revolving around a 30-story elementary school has the perfect blend of wacky characters and winning story lines to translate onto the big screen.
Street: So, much to my excitement, The Answer Man is noticeably set in Philadelphia. How did you make the decision to shoot in our city and what do you feel it brought to the film?
The Answer Man
The Answer Man has the trappings of a great movie: a Philadelphia set, an excellent cast and a topical conceit that pokes fun at those who think they know all.
Carefully spaced family photographs line a wall of Leonard’s parent’s apartment. Tracing many generations of his traditional Italian family, they soon come to represent confinement.
It’s hard to imagine Marlon Brando as anyone other than the notorious Godfather. But before he was Don Corleone, Brando turned in a riveting performance as Stanley in Elia Kazan’s A Streetcar Named Desire, based on the play by Tennessee Williams.
The film follows Blanche (Vivien Leigh), who arrives on her sister Stella’s doorstep claiming to be suffering a nervous breakdown.
Act One
Film Buff: Wow, I love your posters. Capra and Lynch, such an unusual mix.(1)
Seducer: I almost put up my poster of The Third Man, signed by Orson Welles, but it’s much too valuable.
Film Buff: [clearly impressed]
Seducer: I rented a few films — Requiem for a Dream, The Bicycle Thief and A Woman Under the Influence— but I’m going to leave the final choice up to you.
Step 1: Put up posters of films by under-appreciated directors. Purchase coffee table books on film noir, Italian neoRealism and cinéma vérité. Explain that your usual arts-haus indie theatre has been closed for inventory the recession, otherwise you would have met there.
Until I saw A Very Brady Sequel, I thought I was the only person who harbored a secret desire to break into an amateur song-and-dance routine aboard a flight to Hawaii.
Today’s mainstream media is overflowing with bromances. Take, for instance, Superbad’s glorification of male bonding and Brody Jenner’s eponymous reality show Bromance.
Street: What in particular drew you to Saviano's book and made you want to turn it into a screenplay?
Maurizio Braucci: Before becoming a screenwriter I was a novelist.
The Comedian: The Comedian is one of the only superheroes allowed to continue his work after the Keene Act, the government’s ban of masked crusaders, is passed.