Film & TV
‘It Ends’ Confronts the Horror of Growing Up
Alexander Ullom’s feature debut terrorizes a generation that can’t stop searching for meaning—or an exit.
Marvel’s 2026 Lineup Might Finally Show Us What Comes After the Multiverse
The studio’s most ambitious year in a decade could decide what Marvel means now.
Eat With Your Eyes
These films don’t hesitate to put food on the table.
Why Horror Hits Home
On the strange comfort of discomforting cinema
Please Don’t Ruin the Ryder Cup
Is sportsmanship dead? Have spectators killed it?
‘Him’ Critics Might Have the Wrong Guy
Producer, director, what’s the difference? The film’s marketing team doesn’t seem to know—or care.
‘Star Wars: The Mandalorian & Grogu’ Already Feels Small
Lucasfilm’s first post–Skywalker film shrinks its galaxy by refusing to let go.
‘Peacemaker’ Season 2 Proves Even James Gunn Can’t Rage Against the Franchise Machine
The DCU’s best story is becoming another casualty of world–building, and Gunn’s double life as filmmaker and studio head may be to blame.
‘One Battle After Another’ Isn’t the Revolutionary Film You Think It Is
In his new action thriller, Paul Thomas Anderson trades neat manifestos for messy humanity.
‘The Paper’ is a Spin–Off that Strives for Originality
What does the network sitcom look like in 2025?
The Gospel According to ‘Alpha’
A horror movie for anyone who grew up seeing suffering as atonement
Don’t Know What To Watch This Halloween? Street’s Got You Covered
Ten of Street’s favorite horror movies to keep you looking over your shoulder this fall
'After the Hunt' Reveals the Ivy League as a Pressure Cooker Ready to Blow
Power, privilege, and betrayal collide in Luca Guadagnino’s academia thriller.
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The Boys, Gen V, and the power of immersive marketing
‘The Long Walk’: Companionship On The Road To Hell
Francis Lawrence draws a deeply humanizing story out of an apathetic, dehumanizing world.
Karma Finally Caught Up to Jax Taylor
The reality star has been fired from 'The Valley'—Bravo fans rejoice, hold hands, and sing songs in celebration.
‘My Life with the Walter Boys’: Different Season, Same Story
This show’s reliance of cliffhangers ultimately disappoints.
In ‘Overcompensating,’ the Show Never Ends
Benito Skinner’s latest project pokes fun at people who are always performing, and the punchline is that it’s all of us.
Marvel’s First Family, Redeemed
The new Fantastic Four film combines spectacle, sacrifice, and forged family in one cosmic masterpiece.
