Catch and Release is no work of art, and the filmmakers know it. In one scene, a character flat out remarks that mainstream flicks today provide more gimmicks and cheap thrills than commercials.
Like Steve Nash or a fine wine, Clint Eastwood is getting better and better in his old age.
A companion piece to October's Flags of Our Fathers, Letters from Iwo Jima tells the story of the infamous World War II Battle of Iwo Jima from the point of view of the Japanese soldiers.
In contrast to the experimental proclivities of his more "freakish" Drag City labelmates (John Fahey, Six Organs of Admittance, White Magic), the more traditional folk of Scottish singer and guitarist Alasdair Roberts seems tame, and perhaps even quaint.
Freedom Writers, written and directed by Richard LaGravenese, holds no surprises. It tells a familiar story: a young, eager teacher enters an urban high school classroom full of poor kids with no futures.
I love Meryl Street.
No. Seriously...I kind of want to marry her. And we could live on a small ranch in North Dakota while I raised her children (Who cares if they're about my age?
In 2002's Adaptation, Meryl Street was her typical self: a leggy and lean, blond, prim New Yorker; a successful writer in a tall office building, middle-aged and respectable, even slightly untouchable for some of the other characters.
I know what you're thinking. Does Meryl Street really have the kind of tits I'd like to see drunkenly bouncing around behind lime green triangles of Nylon Lycra?
Unfolding within a single day at the iconic Ambassador Hotel in 1968 Los Angeles, Bobby is a fictionalized account of the events leading up to presidential hopeful Robert F.
Boy, that heroin stuff sure is bad news bears.
Candy, Australian director Neil Armfield's adaptation of Luke Davies's novel, does little more than leave us with that very conclusion.
Mp3 blogs will become your life. As you read these words, thousands of self-anointed music experts in thick plastic glasses and headphones are furiously posting, downloading, and analyzing fresh tracks from The Knife and Of Montreal, alongside deep cuts from dusty LPs of their parents' generation.
Fur tells the truly interesting, and sometimes eerie, true story of a 1950s housewife (Nicole Kidman) who yields to her dark curiosities and discovers her inner artist.