34th Street Magazine is part of a student-run nonprofit.

Please support us by disabling your ad blocker on our site.

Arts & Entertainment

Deep Sea Punking

In The Guardian, director Andrew Davis, best known for 1994's The Fugitive, dives deep into the world of the United States Coast Guard's elite rescue swimmers.

by STEVEN BACHMAN

Sparklehorse

Imitation is the sincerest form of flattery. It's a motto that most aptly describes Sparklehorse's latest, a merely competent album that explores little new ground.

by RAFAEL GARCIA

He's Here for the Gang Bang

Perhaps no filmmaker today has a better grasp on a college guy's sense of humor than Todd Phillips. The director who cornered the market on frat-boy comedies - Old School, Road Trip - played Twenty Questions in an exclusive interview with Street at the Four Seasons downtown Tuesday to promote his new movie School for Scoundrels. Street: What's it like working with Jon Heder (Napoleon Dynamite)? What's he like in real life? Todd Phillips: In real life, Heder is a Mormon, did you know that? Street: I heard the cast from Napoleon was shipped in from Utah. TP: They're all like Mormon guys.

by STEPHEN MORSE

Sandi Thom

Smile... It Confuses People is the kind of record that really makes you wonder. Whatever happened to the idyllic, innocent rebellion of our parents' generation?

by STEVE MCLAUGHLIN

A two-hour vigil with student radio

The outer room of WQHS is the most organized it's been in a long time. Rows and rows of CDs and LPs stand ordered alphabetically and by genre.

by GABE CRANE

Sorority Life

At a time when pop culture phenomena like Paris Hilton and Hulk Hogan's daughter are relentlessly promoting their debut albums, the idea of the remake doesn't sound all that bad. Take Johnny Cash's cover of Nine Inch Nails' "Hurt," for instance.

by LAURA AMANN

Emily Haines

Some good CDs make you smile, some make you dance, and some make you cry. Emily Haines's Knives Don't Have Your Back belongs in the last category: bittersweet, but infectious all the same.

by SARAH BIRNBAUM

Reinventing Lennon

The U.S. vs. John Lennon traces pop star John Lennon's metamorphosis from mop-topped singer to one of the most eminent cultural icons of the 1970s. During that decade, his antiwar actions garnered media attention and the wrath of the Nixon administration, which persecuted Lennon by following, wiretapping and attempting to deport him. Aside from the political story, Lennon shows the passionate, complex relationship Lennon shared with his wife, Yoko Ono.

by DANIEL SABRA

Music Reviews of: The Slats, The Mooney Suzuki, Kasabian, The Avett Brothers, Alexisonfire

The Slats Boom Patrol 4.5 Stars If you're on the prowl for something epic, progressive, and tasteful, don't look to the Slats.

by 34TH STREET

Applaud and agree

The second coming of 2005's indie darlings Clap Your Hands Say Yeah is upon us. And while the alt-rock prophets will wait with baited blogs until the January 30 release date, don't expect lead singer and Philadelphia native Alec Ounsworth to indulge their rapture.

by VINCE LEVY

From wharton to hollywood

Very little of Johnny Was is typical, least of all its genesis. Produced and financed by Ben Katz (Wharton and Nursing '01, MBA '02), the film provides a down-and-dirty look at a violent urban ghetto in the United Kingdom - and launches the filmmaking career of a notable Penn grad. With Johnny, Katz, still in his mid-20s, establishes himself as something of a Renaissance man in the independent film scene.

by JEFF LEVIN

Naked men (and women) singing

The British comedy Confetti seems to have it all: nudists, tennis-playing freaks and overzealous musical devotees.

by YINKA NEIL

Separation anxiety

After three years of collaborative projects and live albums, Will Oldham returns with his first proper solo album since 2003's Master and Everyone.

by JOSEPH YEAKEL

Tax evasion man

Haven is an exciting crime thriller set on the Grand Cayman isles. Directed and written by neophyte Frank E.

by 34TH STREET

Hungry hungry hellions

Spawned by the filmmaking reality series Project Greenlight, Feast is a pretty unappetizing splatterfest from start to finish.

by ,

Stark raving Mad

Based on the Robert Penn Warren novel and following the 1949 film, All the King's Men depicts the rise and fall of Governor Willie Stark (Sean Penn) through the eyes of his right-hand man, former-journalist Jack Burden (Jude Law). Burden follows Stark through his gubernatorial candidacy, and the corruption that follows his ascent to power through demagoguery.

by JENNIFER ZUCKERMAN

Sultans of stunt (unabridged)

Jackass: Number Two's Johnny Knoxville and Bam Margera have made a living filming outrageous stunts that violate all notions of common sense and self-preservation.

by JEN TYTEL

Veloci-rapture

A scene in the endearingly obnoxious 2002 movie, The Rules of Attraction, shows a small college's "End of the World" party, and the background tunage is the Rapture's "Out of the Races and onto the Tracks." Shindigs that feature burning wicker men as their main attraction are usually fodder for that Wicca guy you met once (and never again). But with that kind of booty-shakin' song playing in the background, you'd be a fool not to go.

by JIM NEWELL

Hello dahlia

The Black Dahlia Direted by: Brian De Palma Starring: Josh Hartnett, Scarlett Johanssen, Aaron Eckhart Rated: R A film of murder, obsession, love and deception, Brian De Palma's The Black Dahlia is a throwback to the trench coat-sporting detective stories of Raymond Chandler and Dashiell Hammett.

by DYLAN MCGARRY

Kiss and Tell

Zach Braff swept young audiences off their feet in Scrubs and Garden State. This week, Braff - starring in the new romantic drama The Last Kiss, opening tomorrow - discussed music, marriage and his latest film with the editors. Street: As a director from Garden State, was it a relief to go back to acting on film?

by JEFF LEVIN

PennConnects

Most Read