It is not often that a band produces something truly unique. Almost every successful indie group today somehow derives its sound from Morrissey or Bowie or even Byrne.
For the alpha male, nothing is more appealing than a perpetually inebriated blonde who's drunker than a Mississippi sheriff and looser than a Playboy Bunny.
Street sits down for a round table interview with She's The Man stars Amanda Bynes, Robert Hoffman, Laura Ramsey and Channing Tatum.
Any hookups on the set?
Jason Reitman's Thank You for Smoking depicts the plight of Nick Naylor (Aaron Eckhart), a propaganda-spouting cigarette industry mogul whose dubious business ethics haunt his tender relationship with his 12-year-old son.
Did you know that nuclear weapons are bad? No, really -- not only do they kill innocent people, but they also mutate people who then go on to kill other innocent people.
If you loved Night Watch two years ago, you're in for a treat with Night Watch 2. This Russian sci-fi/thriller/fantasy/action flick will surely knock your socks off... if you don't pass out from all the gory blood-stained battles first.
Street recently met up with actor Paul Walker and director Wayne Kramer to interview them roundtable style about their new movie, Running Scared.
Street: The film, Running Scared, is quite violent.
Hopping the pond makes for strange bedfellows. Though the Subways had an early U.S. breakthrough this fall on that great cultural arbiter, The O.C., a February release date has lumped their debut with the latest wave of British musical exports.
Richard Cheese
The Sunny Side of the Moon: The Best of Richard Cheese
If this is your first listen to Richard Cheese, be forewarned: too much Cheese may result in massive indigestion, and upchuck reflexes may ensue.
Karen Beckman arrived at Penn only one year ago and she is already making waves. She teaches a new class called "Women and Film," which shows "the range of work that women have done -- not just feminist filmmaking -- but work from early cinema done in the 1890s and early 1910s." The class syllabus explores a variety of women directors, from controversial Nazi propaganda filmmaker, Leni Riefenstahl, to avant-garde filmmakers like Maya Deren.
Racial tension is sometimes a cop-out for filmmakers, a way of increasing dramatic tension while diverting the audience's attention away from poor casting.
Street: How were you able to get into the character of the evil Bill Cox? It's something that's quite out of the norm for your career, and I was wondering what it was like and did you ever find yourself morally repulsed because you have real kids now.