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Arts & Entertainment

Bad Seed

Despite wandering into Explosions in the Sky’s territory, the epic (post-rock) fail that is Sagarmatha won’t land the A-Cast a spot on the Friday Night Lights soundtrack anytime soon.

by ADAM DRICI

Pop Punk Pity Party

Three years after the critically acclaimed The Ringleaders of the Tormenters, Morrissey returns with more wrist-cuttingly good times.

by RACHEL TASHJIAN

Taking Names

Looks like bank failure isn't the only thing to worry about in the financial world. In The International, one of the world's most successful banks gets its dough from the small arms trade, prompting Interpol agent Clive Owen, doing his normal shtick as the rugged, intense hero, and Manhattan ADA Naomi Watts, foregoing her natural Aussie accent, to go after the bad guys (do the filmmakers really expect us to think that forces from completely different jurisdictions would work so well together?). Thankfully, for the first time in recent movie history, our two leads do not hook up, but they do kick some serious ass.

by LAUREN KEMP

Class is in Session

The critical darling of last year’s Cannes Film Festival, The Class snuck in under the radar and screened on the last night of the competition, surprising many and deservedly taking home the illustrious Palme d’Or.

by BRIAN TRAN

Defibrillator: Charade (1963)

Director Stanley Donen is remembered, when he’s remembered, for films like Singing in the Rain and Arabesque, big-budget musicals designed to be instantaneous crowd pleasers.

by ,

The Pros and Con-fessions

A recent headline from The New York Times read: "Stocks Slide as New Bailout Disappoints." Okay, so the economy is at an all-time low.

by LILY AVNET

Preview: Human Rights Film Festival

It’s tough to think of people other than your love du jour over Valentine's Day. But if you prefer the Peace Corp to petunias, check out this week’s selections from the Human Rights Watch Film Festival.

by JULIE STEINBERG

Guilty Pleasures: Saves the Day, "Through Being Cool" (1999)

Maybe big boys don’t cry, but this week has left me dwelling on the long-gone days of puppy love and unanswered Disney Valentines.

by ADAM DRICI

This is What It Sounds Like When Gods Cry

Four years after “Catch My Disease” ran rampant through hospital dramas everywhere, Ben Lee is back with The Rebirth of Venus. “I’m a woman too,” Lee claims on track 11, as though anything could validate this failed attempt at a girl power concept album.

by JANE SHIM

Monkeys & Maraschino Cherries

Street: You guys are often compared to artists of the ‘70s, Neil Young and Bob Dylan. Were these the bands you grew up with? Eric Earley: Those are the bands we grew up on and our parents listened to.

by DYLAN SEROTA

This Week in Music History: February 5-12

1957: Bill Haley, a star among Comets, arrives in Southampton on the Queen Elizabeth II, becoming the first American rock star to tour the UK.

by 34TH STREET

Defibrillator: The Beach Boys, "Pet Sounds" (1966)

My parents are, in the simplest of terms, ex-hippies. There are more pictures of my father wearing bandanas than there are of us together and my mother still dances like a girl on Haight Street.

by AUSTIN PAUL

Tongue Thrashing

Two Tongues starts off somber, with a quiet, almost innocent, guitar solo. Then there’s a lurching stop, a screaming “Wait!” and a massive power chord followed by the crash of cymbals.

by MAX HAAS

Ol' (Sounding) Dirty Bastards

If Judy Garland had landed in Oz in 1960 instead of 1939, followed the yellow brick road straight to the local karaoke bar and requested something bluesy to ease her not-in-Kansas-anymore induced homesickness, the resulting sound would be that of Heartless Bastards’ The Mountain. Owing to a distinct, mature vocal tone (think Melissa Ethridge comes to Zooey Deschanel’s window) and a constantly changing line-up, Erika Wennerstrom truly is Heartless Bastards.

by CHARLOTTE BORGEN

Not So Pretty in Pink

We've all heard the adage “if you don't have anything nice to say, don’t say anything at all.” So instead of bashing The Pink Panther 2, a film whose very existence should make one question the sanity of movie execs (no one liked the first one, guys), I'm going to try to extol its few-and-far-between merits.

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It's Business Time

The film adaptation of Greg Behrendt and Liz Tuccillo’s bestselling book attempts to be a treasure trove of relationship wisdom, but the title, He’s Just Not That Into You, is really the only advice it provides.

by LAUREN HARDING

Guilty Pleasures: She's the Man (2006)

Shakespeare + the two Step Up boys + some sick soccer skills = pure joy. Starring Amanda Bynes as a cross-dressing, soccer-loving teenager, it also features Channing Tatum and Robert Hoffman, both of Step Up fame.

by MARCY FORGANG

The Big Push

January movies are generally amusing films that tend to lack-in content. Push, a January movie released in February, is entertaining but not worth 10 economically devalued U.S.

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Actors I Thought I Wanted to Marry

Going to a movie is much like going on JDate. We scope out the leading men, assess their talents and qualifications and ultimately decide whether they’d function as good first husbands.

by JULIE STEINBERG

Ciao Baby

Street: Tell me about how Ciao came into being. Yen Tan: The idea came about because [actor] Alessandro [Calza] wrote me an email in 2003 to tell me how much he loved my first film, Happy Birthday, and then we just started corresponding.

by JAYME CHEN

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