Film & TV
Film
A24's 'Boys State' is an Alarming Reflection of Reality
How a boy's summer camp is eerily similar to our government.
by FERNANDA BRIZUELA
Film
A Farewell to 'GLOW'
The ending of GLOW marks yet another goodbye to a Netflix show gone too soon.
by ASHNA YAKOOB
Film
Is A Live–Action 'Spiderverse' Coming?
Exploring the return of Jamie Foxx's Electro, and what that means for the future of Spider–Man movies.
by CAYLEN DAVID
Film
'What's New, Scooby Doo?' is as Groovy as it Gets
Why the 2002 incarnation of the mystery–solving crew will always remain the best.
by CAYLEN DAVID
Film
While the Opera Houses Are Closed, Watch 'Moonstruck'
Those Were The Days｜'Moonstruck' is a beautiful work of art to look back at in a time where art is less accessible.
by JULIA POLSTER
Film
The 'Bachelorette' Must Go On: 'Bachelorette' Premiere Recap
After all, as they say in showbiz: The rose ceremony must go on.
by CHRISTIANA GUAN
Film
A Love Letter to My Favorite Movie: 'Me and Earl and the Dying Girl'
'Me and Earl and the Dying Girl' focuses on friendship, filmmaking, and adolescence, making it iconic among indie films.
by HARSHITA GUPTA
Film
Enola Holmes: Yet Another Role Reversal that Fails to be Meaningfully Political
Are role reversals really as revolutionary as they claim to be?
by ASHNA YAKOOB
Film
Don't Watch Disney's 'Mulan': There's a Better Option
Disney's 'Mulan' is a disappointing, bland adaptation of the beloved animated film. Don't waste $40 on it.
by HARSHITA GUPTA
Film
Gaming: The Boundless Future of Storytelling
Exploring Tribeca's mission to elevate gaming's presence, and why everyone should follow suit.
by CAYLEN DAVID
Film
What I Learned From Watching 'Father of the Bride Part 3 (ish)' Three Times in Two Days
How a perceived flaw in the film hid an emotional reality of our time.
by JULIA POLSTER
Film
Revising the Legacy of 'The Mary Tyler Moore Show' 50 years later
Those Were The Days | The 'Mary Tyler Moore' show is a relic of the despondent '70s. Here's why it still matters.
by JULIA POLSTER
Film
Good Place Finale Hits its Mark with a Bittersweet Ending
After four seasons, the Good Place ends on a sad but hopeful note.
by CHRISTIANA GUAN
Film
Indian-American Representation in 'Never Have I Ever:' Why It Didn't Excite Me
'Never Have I Ever' is one of the only shows to follow an Indian–American protagonist. However, its representation isn't groundbreaking.
by HARSHITA GUPTA
Film
"Based" on a True Story: Accuracy and Historical Fiction Films
Should directors prioritize accuracy over entertainment?
by CAYLEN DAVID
Film
An Open Letter to 'Saturday Night Live': Don't Joke About the Debate
Because it's just not funny anymore.
by JULIA POLSTER
Film
'Ratatouille' is Still the Best Film About Food
Nothing has made me appreciate food more than Pixar's 2007 film 'Ratatouille'.
by HARSHITA GUPTA
Film
Profits Over Plot: Why Live–Action Adaptions of Animated Children's Shows Fail
The original creators left the Netflix live adaptation of "Avatar: The Last Airbender." Why do live adaptations of animations always go wrong?
by HARSHITA GUPTA
Film
Video On Demand is No Replacement for Theatrical Releases
Some things were just meant for the big screen.
by MELANNIE JAY
Film
How Diverse Podcasts Make Film and Television Look Bland
Fiction podcasts regularly integrate diversity and queerness in their stories. Why can't mainstream entertainment catch up?
by HARSHITA GUPTA
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