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Arts & Entertainment

JID’s ‘The Forever Story’ is a Cinematic Tribute to His Upbringing

The up–and–coming Atlanta rapper truly comes into his own at his most important artistic moment.

by GRAYSON CATLETT

The Sandman: Like most dreams, forgettable

Neil Gaiman's 'The Sandman' is one of his most ambitious titles. Unfortunately, the Netflix series isn't ambitious enough. 

by KAYLA COTTER

Kid Cudi’s Rolling Loud Incident Shows the Impact of Celebrity Drama on Mental Health

Cudi’s debacle at the festival stemmed from a personal issue with another artist. Is that even a good reason for controversy?

by GRAYSON CATLETT

Two’s a Party, Three’s a Crowd

When will the competitive love triangle trope end?

by EMMA MARKS

Rookie Mistake: A K–Pop Dilemma Between the New and Old

Why newer K–pop rookies in recent years have struggled to capture the attention of the public.

by DEREK WONG

Where Singer–Songwriter Meets Popstar: A Conversation with Ella Jane

Ella loves Lorde and Taylor Swift—just like most of her fans—but her songs can actually stand among the best her idols have written.

by KATE RATNER

34th Street Staff Picks: The Ultimate Party Playlist

From "Super Bass" to "Dynamite," our favorite party songs are guaranteed to bring everyone to the dance floor.

by 34TH STREET MAGAZINE

Jennette McCurdy’s ‘I’m Glad My Mom Died’ Is for the Nickelodeon Kids Who Are All Grown Up

The “iCarly” actress’ memoir is a cleverly self–aware and cynical narration of her dangerous and interconnected relationships with acting, food, and her mother.

by EMILY MAIORANO

Comedy Television’s Narrowing Scope: Disease or Symptom?

The genres of comedy television being produced and recognized are diminishing as we enter the multifaceted digital age.

by JULIA POLSTER

'Thor: Love and Thunder': Queerbaiting or Queer Representation?

The film isn't “super gay” as the cast and director claim, but the representation it achieves as a Marvel film is still remarkable.

by RACHEL SWYM

‘A Queen in Bucks County’ Delivers Erotica via SEPTA

The sexier the better in Kay Gabriel's buzzy, boozy collection—and what's sexier than economic revolution?

by IRMA KISS

Jordan Peele’s ‘Nope’ Is a Resounding Yes

After watching Peele’s newest thriller, you’ll never look at clouds the same way again.

by JACOB POLLACK

Maggie Rogers’ ‘Surrender’ Burns Bright in Its Emotional Catharsis

After a nearly three–year–long hiatus, Rogers’ sophomore album swallows you whole in the best way possible. 

by KIRA WANG

The Anatomy of an Unlikeable Female Protagonist

Zoey Deutch is a caricature of scammer culture in Hulu's ‘Not Okay.’ 

by NATALIA CASTILLO

Florist’s Self–Titled Album is a Portrait of a Band in Full Bloom

Emily Sprague and her friends’ intuitive musicianship merges with the natural world on their most immersive project to date. 

by WALDEN GREEN

Where Indie Folk Meets Film Score

Lila Dubois and Miles Tobel’s premier album, “Maybe This Is A Bad Idea” is one of cinematic, indie sound.

by EMILY MAIORANO

The Main Character's Burden

On 'The Summer I Turned Pretty,' teenage summer fantasies, and what it means to live a life of passivity. 

by SRUTHI SRINIVAS

Who's the 'Funny Girl' Now?

A casting decision bigger than Broadway: fulfilling Lea Michele's dream.

by KATE RATNER

Pictures of Space: Art That’s Out of This World?

NASA’s James Webb Space Telescope is making complicated science both accessible and beautiful.

by JULIA ESPOSITO

Yune Kim Finds the Purpose of Career Within Art

Her playfulness and wonder seeps through every aspect of her art—whether it be textbook illustrations or bunny bucket hats.

by EMILY MAIORANO

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