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Arts & Entertainment

Stranger Things 4: Bigger Stakes, Same Formula

Netflix’s Golden Goose, Stranger Things, has released its fourth mega–size season that resembles a blockbuster movie more than a TV show.

by JACOB POLLACK

Stop Gatekeeping Your Favorite Artists from TikTok

We want to keep the music we love from social media circulation. Why? 

by SRUTHI SRINIVAS

Peeking Behind the Golden Curtain

America’s Got Talent faces accusations of fraud and discrimination.

by JULIA ESPOSITO

Watching ‘The Inside Outtakes’ From the Outside

As the pandemic's reign reaches ambiguous territory, Bo Burnham’s special strikes a different chord.

by RACHEL SWYM

Volume 3 of ‘Love Death + Robots’ Proves Animation is the Most Human Medium

‘Love Death + Robots’ shows that it only takes a few minutes to capture the human experience—and it doesn't matter how you do it.

by SRUTHI SRINIVAS

“In Full Bloom” Explores Sustainability in Philly

The nation’s oldest horticultural event is more than just a pretty flower show.

by EMILY MAIORANO

Make Way for gloss: A Local Band That Sparkles in Their Authenticity

This Philadelphia–born, all–female band is making their mark on the city's music scene—one glitter baptism at a time. 

by EMILY MAIORANO

Aldous Harding’s Live Show Explores a New Uncanny Valley

The folk eccentric’s set at Union Transfer was a mesmerizing, surprisingly groovy deconstruction of performance and vulnerability.

by WALDEN GREEN

The Arden's “School Girls; Or, The African Mean Girls Play" Highlights Underrepresentation in Penn's Theatre Scene

Penn's performing arts communities could learn a thing or two from “School Girls,” says rising senior Cristle Ike.

by EMILY MAIORANO

The Magnificent Mundanity of ‘Marcel the Shell with Shoes On’

The YouTube trilogy–turned–feature–length film explores grief and joy through the eyes of a tiny anthropomorphic shell.

by MEG GLADIEUX

Bittersweet to Bleak: Why Season Three of ‘Derry Girls’ Fell Short

Season three of Netflix's 'Derry Girls' lacks the rosy bittersweetness that characterizes its first two seasons.

by ALICIA LOPEZ

Is ‘SNL’ more than just satire?

Sometimes we need a clown to give us a reality check.

by SEJAL SANGANI

Marvel’s Obsession with Shock Value in 'Dr. Strange: Multiverse of Madness'

How the new Dr. Strange movie falls into Marvel’s old traps.

by JULIA ESPOSITO

Florence Crowns Herself King of Both Lyrics and Poetry in 'Dance Fever'

In their new album, Florence + the Machine bridges worlds of poetry and lyrics through spoken word and song.

by EMILY MAIORANO

Harry Styles Invites Us Into His World in 'Harry’s House'

The British star unfolds a new era of his solo career.

by KATE RATNER

LP Is the Best Musician You’ve Never Heard Of

An introduction to your new summer pop rock obsession

by ALICIA LOPEZ

The ICA's 'Infrastructure' Radically Rethinks How We Consume Art

Unlike most art exhibitions, the ICA's most recent exhibition poses countless questions—and it asks its visitors for the answers.

by RACHEL SWYM

‘Heartstopper’ Shows Us That Queer Happiness Is Here to Stay

The Netflix adaptation of the webcomic has been renewed for two more seasons of doodled, queer joy.

by EMILY MAIORANO

Rom–Com Legend Nancy Meyers Is Back to Save the Genre

Enough of the trashy, dime–a–dozen rom–coms. Here's what to expect in Nancy Meyers' upcoming collaboration with Netflix.

by JACOB POLLACK

Ocean Vuong Promotes His New Poetry Collection, 'Time is a Mother,' at the Philadelphia Free Library

In conversation with Airea Matthews, Ocean Vuong returns to the grief of losing his mother while discussing the colonization of creative writing.

by EMILY MAIORANO

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