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Music

Cyc-ology

There’s an important but subtle difference between burning love and getting burned. Neko Case explores the effects of toggling that particular four letter word in and out of the equation on her latest album, Middle Cyclone. More aggressive and revealing than her previous solo release, Fox Confessor Brings the Flood (2006), and more straightforward than her New Pornographers material, the flame-haired indie/dixie diva is at her songwriting best.

by STEVEN WAYE

We’re So Moving On (yeah-ee yeah)

Five years ago, the music gods smiled on Kelly Clarkson and the American public’s desire for a more palatable Alanis found its apotheosis in an awesome little song about dumping your loser boyfriend.

by HEATHER SCHWEDEL

Campus Cred: Off the Beat

Street: Of all the OTB-wannabes on campus, why did you make the cut? Maggie Nyce: I have a nose ring.

by CHARLOTTE BORGEN

Los Angeles, We Have a Problem

In the tradition of major concept albums of years past, Squeak E. Clean and DJ Zegon of N.A.S.A. (that is, North America South America) have constructed The Spirit of Apollo, which focuses on the transcendent theme of unity through music.

by DYLAN SEROTA

Surf 'n' Turf

Tight Knit has more in common with grass, Vetiver’s namesake, than front-man Andy Cabic could have ever hoped.

by CHARLOTTE BORGEN

Guilty Pleasures: Taylor Swift, "Love Story" (2008)

If you think you’ve never heard Taylor Swift’s “Love Story,” or the album Fearless, you’re wrong.

by ,

Campus Cred: DJ Newby

Street: What’s so new about DJ Newby? Matt Newberg: Everything is new about DJ Newby because I am hip-hop.

by LILY AVNET

Defibrillator: TLC, "Ooooooohhh... On the TLC Tip" (1992)

Six years our senior and fresh off the middle school bus, my best friend’s sister Ali was the unquestioned arbiter of cool.

by ,

Bad Seed

Despite wandering into Explosions in the Sky’s territory, the epic (post-rock) fail that is Sagarmatha won’t land the A-Cast a spot on the Friday Night Lights soundtrack anytime soon.

by ADAM DRICI

Pop Punk Pity Party

Three years after the critically acclaimed The Ringleaders of the Tormenters, Morrissey returns with more wrist-cuttingly good times.

by RACHEL TASHJIAN

Guilty Pleasures: Saves the Day, "Through Being Cool" (1999)

Maybe big boys don’t cry, but this week has left me dwelling on the long-gone days of puppy love and unanswered Disney Valentines.

by ADAM DRICI

This is What It Sounds Like When Gods Cry

Four years after “Catch My Disease” ran rampant through hospital dramas everywhere, Ben Lee is back with The Rebirth of Venus. “I’m a woman too,” Lee claims on track 11, as though anything could validate this failed attempt at a girl power concept album.

by JANE SHIM

Monkeys & Maraschino Cherries

Street: You guys are often compared to artists of the ‘70s, Neil Young and Bob Dylan. Were these the bands you grew up with? Eric Earley: Those are the bands we grew up on and our parents listened to.

by DYLAN SEROTA

This Week in Music History: February 5-12

1957: Bill Haley, a star among Comets, arrives in Southampton on the Queen Elizabeth II, becoming the first American rock star to tour the UK.

by 34TH STREET

Defibrillator: The Beach Boys, "Pet Sounds" (1966)

My parents are, in the simplest of terms, ex-hippies. There are more pictures of my father wearing bandanas than there are of us together and my mother still dances like a girl on Haight Street.

by AUSTIN PAUL

Tongue Thrashing

Two Tongues starts off somber, with a quiet, almost innocent, guitar solo. Then there’s a lurching stop, a screaming “Wait!” and a massive power chord followed by the crash of cymbals.

by MAX HAAS

Ol' (Sounding) Dirty Bastards

If Judy Garland had landed in Oz in 1960 instead of 1939, followed the yellow brick road straight to the local karaoke bar and requested something bluesy to ease her not-in-Kansas-anymore induced homesickness, the resulting sound would be that of Heartless Bastards’ The Mountain. Owing to a distinct, mature vocal tone (think Melissa Ethridge comes to Zooey Deschanel’s window) and a constantly changing line-up, Erika Wennerstrom truly is Heartless Bastards.

by CHARLOTTE BORGEN

Blood, Fret and Tears

Using a rusty guitar, a falsetto yowl and as much heartbreak as he could shove into 37 minutes, Bon Iver’s Justin Vernon created For Emma, Forever Ago, one of 2008’s most critically acclaimed records.

by ,

Defibrillator: Belle & Sebastian, "If You're Feeling Sinister" (1996)

At the beginning of high school, I was hopelessly uncool. I was socially awkward, and my mother was still buying my clothes.

by SEAN HEALEY

Shows of the Week: January 29-February 4

Lykke Li The First Unitarian Church 1/30 8:30 p.m., $17.50 People were remixing Swedish internet darling Lykke Li long before she ever stepped foot inside a US venue.

by ADAM DRICI

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