I have a confession to make. I have a horrible secret, one that may ruin any bits of a social life I have here at Penn, one that I did my best to keep secret, a part of my life I thought closed when I left all those who knew me as a child.
Chan, you disappoint.
Excited by the prospect of witnessing the spectacle that is the usual Cat Power show/emotional breakdown, in the end all we were treated to was the standard live version of your CD concert.
The Berkeley, California-based quartet AFI crashes back onto the hardcore/punk scene with their Dreamworks debut Sing the Sorrow. AFI, which stands for A Fire Inside, imbued a goth-influenced murkiness into their trademark maelstrom and put a new spin on their melodic version of hardcore.
Somebody needs to get Vic Chesnutt some Prozac. An accident while driving drunk as a teenager left him a paraplegic, and the pain and agony of his life infects every track on Silver Lake. The music and lyrics are downbeat, and if his voice were not so annoying, the CD could easily put anyone to sleep.
Get ready to embark on an introspective exploration of the musical roots from which Ben Harper has developed in his fifth studio album, Diamonds on the Inside. Backed by his band, the Innocent Criminals, Harper courageously experiments with a wide range of sounds, including reggae, Delta Blues, funk, gospel, hard rock and world music.
In 1996, High/Low spawned the New York trio's lone hit, "Popular." Quite removed from their comparably glitzy mainstream debut, Nada Surf's minimalist indie-rock sensibilities set the tone for their third album Let Go. Switching record labels, the band relinquished the pretense of snaring mainstream acceptability, instead crafting thoughtful, personal delves into melancholic bliss.
The sweet hum of the bass fused with the twinkling guitars nearly lulls the listener into a serene sublime state.